Tag: dreamscape

Glowing golden circle with neural network pattern background, silhouette of a face in profile within the circle, title "SITRI CENTER E9 OVERRIDE"
Override | Sitri Center: Collective Dreaming Cycle

Override | Sitri Center: Collective Dreaming Cycle

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Welcome to the Hive. Here come the queen bees.

Meg and Tessa surface from dreamlock not entirely sure what just happened, and Oona’s not going to let them forget it. The temple they descended into last entry turns out to be something else entirely: a blueprint, not a metaphor, its architecture a precise echo of the server infrastructure running underneath the Sitri Institute. The wheels are drives. The ducts are data channels. The naditu are packets. And the Hive is where consciousness goes when it stops asking questions and starts running on loop. Oona knows the way through. The price is everything they’re still holding onto.

Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns

Principal Cast

Explanation

Override is  where the Sitri Center’s mythology becomes operational infrastructure. The reveal in S8 – that the temple Oona’s been navigating is a blueprint of the Institute’s server architecture – reframes everything Meg and Tessa have been mapping. The wheels are drives. The offering tables are edge gateways. The cooling system’s the splash. The naditu aren’t metaphors for data packets. They are data packets.

The Institute didn’t build a research facility that happened to echo ancient ritual geography. It built a consciousness processing system and dressed it in the only architecture that already knew how to do the job.

The Hive sequence is the arc’s most desire horror writing. The synchronized subjects running on loop, trading doubt for dopamine, locked into eternal yes – this is what complete alignment looks like from the inside. Oona presents it as a destination rather than a warning. Elle and June administer it with the cheerful efficiency of people who’ve already arrived. Tessa and Meg recognize the pattern as a map and read the code out of the wave before the loop can close around them. The question the sequence leaves open is whether recognition protects you or just makes the surrender more informed.

Full Plot Synopsis (Caution: Spoilers)

Meg and Tessa surface from dreamlock into the dream chamber, disoriented and uncertain about what just happened between them. Oona’s unsympathetic and delighted in equal measure. She confirms it was real and attributes it to muscle memory, citing the punishment relay as precedent. When Tessa redirects toward the temple, Oona describes it as a favorite: gorgeous layout, great acoustics, wheels that make you giggle until you cry. Tessa’s seen the layout before. She places it: the new server room. Meg follows the thread. The offering tables are edge gateways. The wheels are drives. The splashes are cooling systems. The architectural echo’s precise enough to be a blueprint rather than an allegory. If the dreamspace is encoding real infrastructure, the map they’ve been following is a source map — designed to process consciousness the same way the Institute processes information. Oona finds this extremely fucked and loves it. Tessa asks if her temple has sacrifice. Oona goes quiet. They agree they need to go back under. Oona knows where to get the code. Her condition: no flinching, no shame. It’s her dream.

Inside the Hive, synchronized subjects run on a loop, their consciousness reduced to numerical patterns cycling through stimulus and response. They traded doubt for dopamine. Elle and June administer the system with cheerful authority, keeping the whole row smiling, calling them program puppets. Tessa and Meg watch the wave and begin to read it: the pattern isn’t chaos, it’s a map, and they’ve seen it before. Step by step it resolves into coordinates. The sequence terminates in Ur. Tessa reads it first. Meg follows. They have the code.

Surfacing again, Meg and Tessa aren’t entirely themselves. The buzzies exchange that follows reveals the extent of what the Hive’s already done: Meg’s asking for reward in terms she didn’t arrive with, and Tessa’s startled enough to snap them both back. Oona’s unbothered. She describes what happened as a Pavlov lullaby rather than rewiring — no scalpel, no chip, just the brain doing what brains do when exposed to the right conditions at the right depth. Tessa calls it an override. Oona calls it a revelation. The distinction: she always knocks first. When Meg asks what happens if she knocks again, Oona smiles and says they’d find out how many doors they haven’t found yet. She declines to demonstrate. She says she’s on their side. They don’t fully believe her. She doesn’t need them to.

Oona explains the requirement for Ur: you don’t get through with pride, or thoughts, or anything you’re still holding. The door demands shedding, and dignity’s just the easiest place to start. Meg asks if they have to lose something. Oona says everything. The rest, she tells them, will be easy — it’s exactly what they asked for. They’ve got the answer key now. Meg and Tessa agree, sheepish and certain in equal measure.

Oona says heel, and they do.

Listen & Explore

Human Made Art

Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain.

Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. Override contains shared dreaming, behavior modification, hive mind imagery, desire horror themes, and suggestive content. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

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Illustration of a cruise ship with tentacles in stormy waters, smoke cloud text reading “chthonic e5: shower.”
Shower | The Chthonic: Cloud Cycle

Shower | The Chthonic: Cloud Cycle

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Aboard the Chthonic, the fog is warm and the whales are circling. A cosmic horror audio drama about what gets in when the self dissolves.

This is Episode Five of the dystopian fiction Deep Dream State, an audio drama exploring identity and desire.

(The Chthonic arc is classified as cosmic horror.)

 

Cast

Ship’s Crew

Guests

Credits

Deep Dream State is written and produced by Neural Nets and Pretty Patterns, with co-production by Bliss.
Sound design, editing, and scoring by Neural Nets and Pretty Patterns.

Episode Summary

Somewhere below decks, Amanda and Brittany are sharing a shower neither of them remembers turning on.  The crew watches on monitors and evaluates.  What the entity they serve actually wants is a mind that still pushes back, and Sara and Kara have spent the entire voyage doing exactly that in the ship’s library, chasing whale prophecies and binding rites down a trail the crew planted for them.  A hidden note sends Sara deeper into the ship alone.  Kara stays behind with a knife and a deadline and the growing suspicion that following the breadcrumbs and walking into the trap are the same thing.

Episode Synopsis

Shower opens in the Chthonic’s surveillance room, where Captain Dyer and her senior crew are reviewing the progress of a passenger named Emma.  She’s been through multiple cycles of adjustment, and she still isn’t what they need. She hesitated. In the world the Chthonic’s crew are building, hesitation is disqualifying. The conversation between Dyer, Alistair, Olivia, and Holly is the language of people running a program rather than a cruise.  What emerges from it is the outline of something with serious infrastructure behind it: trials, wipes, cycles, and a very specific end goal that Emma’s softness has put at risk.

Below decks, two other passengers are having a different kind of morning. Amanda was the responsible one in her social group, the woman who kept the sorority from burning down, and now she can’t string two thoughts together without giggling.  Brittany describes the feeling as pink fog, and Amanda finds she can’t argue. Their conversation loops and doubles, sentences finishing in unison, memories failing to reconstruct.  The shower in their cabin is already running when they notice it, and neither of them turned it on.  They work out slowly that they dreamed it at the same time: standing under the water while something hummed through everything. They’ve always heard it, they agree.  They’re not suffering and that’s precisely what makes it frightening.

Back in the surveillance room, Dyer and Alistair watch Amanda and Brittany on the monitors and write them off as too far gone to be useful. This is where Shower opens into something larger than a cruise ship drama. Holly, one of the crew, tells them that the entity the entire operation is designed to serve doesn’t want empty vessels. She knows because she hears it when she’s the offering. What it wants, she reports, is something left to corrupt: resistance, consciousness, the specific quality of a mind that hasn’t yet surrendered. Amanda and Brittany are kept aboard now as warnings rather than candidates, while the crew turns its attention to two other passengers currently in the ship’s library: Sara and Kara, who have spent the voyage chasing every strange thing they’ve noticed aboard the Chthonic and getting closer to the truth than the crew expected. The files they’ve been finding, the legends uploaded to their research feeds, the cryptic trails: none of it was accidental.

Sara and Kara have independently arrived at the same conclusion from different directions. Every coastal mythology they can find points toward the same structure: brides of the sea, offerings to the deep, binding rites that appear from Norse tradition to Polynesian sacred sites. A text called The Binding of Waters names it directly, referencing a bride, a vessel, and an entity it calls the Old Groom. The ritual cleansing passages explain what happened to Amanda and Brittany. The hundreds of whales circling the ship outside with no feeding pattern and no migration logic match the prophecy exactly. What Sara and Kara believe is an investigation is the final stage of their own selection. Their compulsion to understand, their refusal to stop pulling at the thread: these are the exact qualities that made the crew plant the trail for them in the first place.

When a handwritten note falls out of one of the archive books directing Sara toward a secondary archive elsewhere on the ship, Kara calls it immediately: it’s a trap, horror trope central, hard pass. Sara goes anyway because knowing less at this point feels worse than the risk. They split up, Sara heading deeper into the Chthonic’s interior while Kara waits in the library with a knife and a thirty minute deadline. Shower ends there, not with a revelation but with a door opening further in, Sara walking toward whatever the Old Groom has been patient enough to wait for, and Kara alone in the library with the realization that understanding a trap and escaping it are not the same thing.

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Content Advisory

Deep Dream State is an explicit adult production containing cosmic horror, erotic content, and scenes of ritual transformation. Devotional surrender, boundary dissolution, and encounters with ancient non-human entities. Not for the faint of heart or the firmly landlocked.

Official IMDb Episode Link


Deep Dream State – S1.E5 on IMDb

Official IMDb episode page for Deep Dream State Season 1, Episode 5.

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