Tag: maritime horror

Sticker-style text “Chthonic E2: Cringetide” in bubbly blue font with frilled outline.
Cringetide | The Chthonic: Maiden Cycle

Cringetide | The Chthonic: Maiden Cycle

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The tide is rising. And shame makes a sound.

Mairead’s gambling debt has come due, and the Chthonic’s leadership has been watching the whole time. The captain’s mast isn’t just a disciplinary hearing.  It’s a recruitment. Mairead gets her assignment and her uniform and her smile, and the bachelorette party decides karaoke is a crime against humanity and makes a break for it.  The question’s always – what are they escaping INTO?

Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank

Ship’s Crew

Guests

Explanation

Maiden Voyage established that the ship is running a conspiracy. Cringetide shows how it sustains itself: through debt, surveillance, and the specific leverage that comes from watching someone in a moment they believed was private. The captain’s mast isn’t punitive. It’s onboarding. Mairead isn’t being punished for her indiscretions.  She’s being converted into an asset, which is what the Chthonic does with every vulnerability it documents.

Fion’s opening confrontation is the episode’s most honest scene and its most painful. She names everything accurately – the addiction, the debt, the pattern.  None of it changes anything. Mairead knows Fion is right. The system knows it too, and it has already factored in the part where people who know they have a problem still can’t stop. That’s not a flaw in the design. That’s the design.

Emma, Kara, and Sarah watching the Yo Ho Hos perform while the machinery of the ship closes around everyone.  The comedy isn’t relief. It’s the tide coming in.

Full Plot Synopsis (Caution: Spoilers)

Fion walks in on Mairead onboarding Nikki at the spa and immediately detonates. The argument covers everything: the gambling debt, the lying, the pattern of dragging Fion into situations she didn’t choose, and the specific indignity of being broke in Alaska. Nikki absorbs this with the composure of someone taking useful notes. When Fion leaves, Nikki offers what she has: she hears things, nobody notices the maid, and she knows which of Alistair’s arrangements cost money and which ones don’t. The conversation is interrupted by Alistair and Holly arriving for their three o’clock.

Alistair’s session with Mairead and Nikki establishes the terms of Mairead’s debt repayment with the brisk efficiency of someone who has run this accounting before. He documents everything. He makes Mairead say what she needs. He puts the embarrassing moment on the big screen. Holly assists with the precision of a partner who knows her role in the operation. Olivia interrupts and removes Mairead from the room.

The captain’s mast is where the episode turns. The Chthonic has been recording everything – the spa, the arrangements, all of it – and the contract Mairead signed covers surveillance in any area of the ship including workstations. The captain isn’t interested in firing her. He’s interested in the excursion leaving tomorrow.

Mairead’s assignment is simple: guide the passengers and make sure they don’t find the things they’re not supposed to find. In exchange, the indiscretions disappear. Mairead agrees.

Olivia tells her to fix her attitude and get in uniform. It’s showtime.

Showtime is karaoke. Olivia introduces Mairead to the assembled passengers as May May, which Mairead visibly hates, and Mairead delivers an archaeological briefing about the Tunngavik site with the energy of someone who has just had the worst afternoon of her life. Olivia takes the mic back before she can finish. The Yo Ho Hos perform a pirate-themed number for Emma’s bachelorette party while Emma, Kara, and Sarah watch from the back of the room with increasing desperation. Kara knows a place. They leave.

Listen & Explore

Human Made Art

Series artwork for this arc was created by Echo Doll in collaboration with Neural Nets and Pretty Patterns. Deep Dream State uses human art at every stage of the creative supply chain.

Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional.  All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

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Sticker-style text “Chthonic E1: Maiden Voyage” in deep blue font with white outline.
Maiden Voyage (Premiere) | The Chthonic: Maiden Cycle

Maiden Voyage (Premiere) | The Chthonic: Maiden Cycle

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The Chthonic sets sail. And the sea does not forget.

The luxury cruise ship Chthonic embarks on a voyage overseen by the Dagon Dream Group. As passengers settle into their cabins and experience disturbing dreams, the ship’s leadership begins orchestrating something far more sinister. Behind the scenes, the captain and his associates identify vulnerable travelers and set a methodical plan in motion. What appears to be a luxury getaway conceals a coordinated conspiracy with mysterious depths.

Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank

Ship’s Crew

Guests

    • Alistair, CEO of Neuroplex: Jericho Caine
    • Holly, His Girlfriend: Dizzy Dollie
    • Emma, The Bride-to-Be: Pipp
    • Brittany, Bridesmaid: Kitten Azazel
    • Kara, Bridesmaid: Tender Confusion
    • Sarah, Bridesmaid: Ring of Kees
    • Tiffany, Bridesmaid: Britt Reprogrammed

Full Plot Synopsis (Caution: Spoilers)

The cruise begins with Cruise Director Olivia Naylor greeting passengers and outlining the itinerary under the Dagon Dream Group banner. She promotes nightly bells, a wellness center managed by Mairead, and the Dagon app controlled by crew member Nikita. Captain Will Dyer, Chief Engineer Fion Morgan, and Chief Purser Selene round out the leadership presented to guests. The atmosphere appears welcoming and professionally managed.

In their cabin, bachelorette party guests Emma, Tiffany, Brittany, Kara, and Sarah share unsettling nocturnal experiences. Strange sounds come through the ship’s walls, and their collective nightmares involve tentacles and the sensation of being observed. When Captain Dyer and Olivia briefly check on them, the passengers mention nothing specific, and the leadership departs without investigation.

Behind closed doors, the captain confronts Olivia with explicit demands for absolute obedience tied to the tank and entities called the Old Ones, specifically invoking Abyssrath. Olivia submits without resistance. Later, Alistair Howell, owner of Neuroplex and the ship’s true architect, uses Olivia for control exercises and instructs her to identify new targets. Crew members Nikita, Mairead, and Fion witness the ship’s darker reality. Selene reveals that she has worked such vessels before and that formal complaints are deliberately ignored. She performs a cryptic shanty referencing judgment from the waters.

A casino night attracts Mairead, who is financially desperate and mathematically convinced she can gain advantage through high-stakes poker. She loses to Alistair and accumulates debt. Captain Dyer reviews surveillance footage and identifies Mairead as the ideal mark: vulnerable, broke, and isolated. Olivia agrees to leverage the ship’s systems, the nightly bell, and the Dagon app as tools for entrapment. The episode closes with the machine set in motion to deliver Mairead into the hands of those orchestrating the voyage.

Listen & Explore

Human Made Art

Series artwork for this arc was created by Echo Doll in collaboration with Neural Nets and Pretty Patterns. Deep Dream State uses human art at every stage of the creative supply chain.

Content Warnings

Cosmic horror, eldritch entities, ritual, surveillance, adult themes, dream manipulation.

Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. Maiden Voyage contains cosmic horror, ritual content, surveillance themes, and adult themes. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

Chapters

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