Tag: NNPP

After After | Deep Dream State | Season Five Trailer

After After | Deep Dream State | Season Five Trailer

Humanity is over.

After After is a big evolution in Deep Dream State. It’s just a big evolution overall.

Naia‘s in charge of evolution now, and she says it out loud. It’s closing time, humanity. That isn’t a villain threat. It’s a statement of fact – maybe even an optimistic one. Saying it out loud is the first step to somewhere else. Seasons 1 2 3 4 were bleak. Season Five isn’t. Each story set is a romance. There’s chemistry, stakes, and romantic resolution. There’s a happily ever after on the species level.

The show is still very much about desire. Whether queer posthuman desire is horror or HEA is up to you.

The plot’s up to you as well.

Different extrahuman entities populate S1-S4. After After puts names and some explanation to those entities. This page names and illustrates them (with tattoo options.)Β  There are seven factions; each one’s a different possible posthuman future:Β  Orphics, Triplings, Pando, Lilies, Liminites, Synthservs, and The Pack.

You go there, and vote for your favorite.Β  You get one active site vote per browser, and you can change sides later as their stories make their cases.Β  The vote tallies reflect on the page in real time. They’ll decide what comes After After.

Yield | Vale Four | S4E17 | GE44

Yield | Vale Four | S4E17 | GE44

It’s showtime!

In the penultimate episode of Vale Four, we discover many things.

Off mic, WE recently discovered our marketing department. They were huddled cowering behind the wolfgirl pen E. Who knew? As part of the settlement, we’ll be identifying our target markets more clearly going forward.

In the first scene, we hear the ad for Spotlight, one of the in-universe video games. You can’t play it yet, but you can appreciate the scene setting and Iris Vale‘s very not disguised exhibitionism.

(This pivotal sequence targets the core ‘theater enthusiast’ demographic, successfully tapping into the highly engaged ‘chosen villain’ micro-trend.)

The remaining scenes are in court, since Vale Four’s built up to the trial over 17 episodes. It isn’t boring. There’s running whispered commentary, and things happen to everyone present.

(This final courtroom arc delivers the ultimate payoff for our true crime enthusiast demographic, gamifying the legal procedural to shatter prediction models of even hardcore, 2x-speed audio-bingers.)

If you can predict the sequence here, you’ve been paying close attention. Yield resolves questions posed in S4E1, and stretches back to S3E2. After all that, the remaining question is “was that theater?”

Yes and no. The full answer will be in Evergreen, which finally pulls back the curtain.


State Of The Dream

  1. The Deep Dream State definitely contains some adult material. This is by design. The websites and trailers are PG at most. We believe in open expression, not blindsiding.
  2. We’re auditioning for After After, the monster romance season five. Email deepdreamstates@gmail.com if interested.
  3. I’m the showrunner, writer, sound editor, web designer, and court-appointed marketing liaison. I co-direct. I’m part of the cast; I play Z. My creative name is Neural Nets And Pretty Patterns. I am one audio creator, not a team or collective. ISNI 0000 0005 2877 6254.
  4. We’re delighted that we’re over 50k downloads, which we hope to verify as soon as we get OP3 running correctly.

Cast & Crew

Written, produced, directed, sound edited, and web designed by Neural Nets And Pretty Patterns.

Bun Li as Meg Aerin | Swirls and Twirls as Iris Vale | Ring of Kees as Tessa Fine | Bliss Blank as June O. Lowell | Mr. Bun Li as Judge Webb | Echo Doll as Elle Lawson | Neural Nets And Pretty Patterns as Z | Syndi Rella as Hespa Apate | Naomi Biela as Blake | Dizzy Dollie as Naia Anderson


EPISODE LINKS

Yield on NNPP | Blubrry

Yield is the seventeenth episode of Season 4 of Deep Dream State, a monster romance, science fiction romance, and desire horror audio drama by Neural Nets And Pretty Patterns. It is the penultimate episode of Season 4: Vale Four. S4E17 / GE44. Duration: 15:04.


SHOW LINKS

Deep Dream State | Vale Four | DDS Glossary | Cast | Scripts Index | Neuralpedia | Support the Show on Patreon | Deep Dream State on IMDb | Deep Dream State on MusicBrainz | Wikidata | TV Tropes | Spotify | Apple Podcasts | RSS


EXPLORE THE NEURALVERSE

Neural Nets And Pretty Patterns | NNPP IMDb | NNPP MusicBrainz | NNPP BookBrainz | NNPP ISNI: 0000 0005 2877 6254 | NNPP IPI: 01346215468 | 01346215566


Human Made Art

The poster image for this arc is from Sunrise Forever on Pixabay, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. Deep Dream State uses human art at every stage of the creative supply chain.


Consent Declaration

Deep Dream State is a monster romance, science fiction romance, and desire horror audio drama written and produced by Neural Nets And Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, desire, and complicity. The elements depicted are fictional and intentional. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254.

Slowplay | Vale Four | S4E4 | GE31

Slowplay | Vale Four | S4E4 | GE31

Don’t twitch.

FaceTrace reads microexpressions before the subject knows what they’re thinking. Naia knows Vale Four is about to deploy it. June and Elle know they cannot afford a tell.

The question is whether you can teach yourself to lie with your face.


Highlights

This is the first episode of the Deep Dream State’s Tell Cycle.

Each Cycle in Vale Four looks at a different advertising phenomenon through the pink noir lens.Β  It’s uncanny but appealing at the same time.

A full description follows; a few elements should be highlighted.

1. The guest stars are stars.Β 

They always are.Β  In this case, we’re gratified to have Valentina Vallay on cast.Β  She’s a notable and fantastic voice actress.Β  She also plays the AI voice with sultry and evocative range.Β  It’s much better to cast a human as AI than the other ways around; that’s particularly true in this case.

2. Midstream is ridiculous.

Thus far, all Deep Dream State ads have been diegetic.Β  We’re in some conversations about REAL ad buys now, but they definitely weren’t part of the first phase of the show.

About midway through the episode, the most crazed sports podcast ever, Midstream, drops an ad.Β  This really makes Barstool Sports seem like Infinite Jest.Β  Highly recommended.

3. The sound design is innovative.Β 

It’s tough to convey screens and writing and whispers even in TV.Β  The episode features a lot of passed notes.Β  That’s communicated with whispers, less filtered, and pencil scratch.Β  I think it lands and enhances the paranoid atmosphere.

4. The tech is real.

The story is fictional .Β  We aren’t doing predictive or hard sci fi here.Β  Β At the same time, facial analysis for gauging consumer sentiment is real, advancing, and deeply unsettling.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank
Midstream Sports: Neural Nets and Pretty Patterns as himself

Recurring Cast

Z – Neural Nets and Pretty Patterns
June Lowell – Bliss Blank
Tessa Finn – Ring of Kees
Meg Aerin – Bun Li
Naia Anderson – Dizzy Dollie
Elle Lawson – Echo Doll
Iris Vale – Swirls and Twirls
Cael Yupp – Jericho Caine
Hespa Apate – Syndi Rella

Guest Stars

Synthserv 3.0 – Valentina Vallay
Ava – Kitten Azazel
Mr. Mega – FFT
Mr. Beefcake – Chavito


Full Summary

Call

Naia records a private audio log from the garden nest. She’s afraid, and rightly so.

FaceTrace is different from the Calibrex systems: it doesn’t require cooperation. It reads microexpressions, dwell time, the involuntary signals produced before conscious thought has finished forming. The holdfasts inside Vale Four have been trained to pass, but no training accounts for a system that reads the face before the actor knows what they’re about to perform.

Naia names the stakes clearly: the IPO timeline is running, the call option has an expiry, and they cannot afford tells.

Deal

Meg, Tessa, and Hespa introduce FaceTrace to the focus group in the conference room. The framing is corporate and precise: contextual metadata, microexpression analysis, dwell time mapping.

Ava works with catechumens and recognizes the structure of confession.Β  She raises the comparison directly. Tessa affirms the surface resemblance and dismisses it with bloodless. June is welcomed back from her sabbatical and assigned an office next to the recalibration center. Tessa offers her the use of a second desk with an adorable little laptop.

Hold Em

The Midstream Sports advertisement runs.Β  It is extremely committed to the bit. Neural Nets and Pretty Patterns appears as himself and is removed from the recording for knowing too much about fantasy football :/.Β  Mr. Mega, Mr. Beefcake, and Hespa explain the product to the correct audience with maximum enthusiasm.

You never change horses in midstream.

Ante

June has arranged her office specifically around the plant she calls Seymour. June and Elle assess the FaceTrace threat in private: audio they can manage, video they can fool, but microexpression reading at the level FaceTrace operates is a different problem entirely. The solution is to practice on each other before the real sessions begin. Elle has already acquired the access codes.

Bluff

June runs Elle through the FaceTrace baseline protocol in the monitor room. The writing whisper technique carries their real communication underneath the performed neutrality: stage whispers stripped of reverb and set apart in the mix, functioning as written notes in audio form. Elle lingers on the wrong images for too long.Β  June clocks every tell in real time and writes it down.Β  Β Elle asks for more pictures – for science. June’s final writing whisper names what she has been watching the whole time. The session ends with both of them knowing considerably more about each other than they did when it started, and with a functional map of where their faces give them away.


Listen & Explore


Explanation

Slowplay is the Tell Cycle’s thesis statement delivered as a technical problem.

Every previous arc has used surveillance as a backdrop; here surveillance becomes the plot.Β  FaceTrace as the instrument that threatens to collapse the distinction between performance and self. The writing whisper technique is the audio drama equivalent of that threat made formal: a layer of communication running underneath the performed layer, visible to the listener but invisible to the system watching the characters.

June and Elle are doing in the monitor room exactly what the show is doing to its audience.

Ava’s confession comparison in the Deal scene is the arc’s most direct articulation of what FaceTrace actually is. Tessa’s response, acknowledging the surface resemblance and dismissing it as coincidence, is the most honest thing anyone at Vale Four says in the Tell Cycle. It’s a surface resemblance; the system underneath is considerably older.


Human Made Art

The poster image for this arc is from Sunrise Forever, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. You can find the original here.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. All elements depicted are fictional and intentional. Slowplay contains adult themes, psychological manipulation, surveillance technology, and suggestive content. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

Sinker | Vale Four | S4E3 | GE30

Sinker | Vale Four | S4E3 | GE30

The whole world is already singing.

Sinker is the third episode of the Vale Four arc and the Hooks Cycle. The hook doesn’t need the lab anymore.

Hilton and Astoria have opinions. Celeste and Vera finally tell someone. That someone tells Z. Z tells Iris. Iris tells the camera. The camera tells everyone.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank

Recurring Cast

Z – Neural Nets and Pretty Patterns
June Lowell – Bliss Blank
Tessa Finn – Ring of Kees
Meg Aerin – Bun Li
Naia Anderson – Dizzy Dollie
Elle Lawson – Echo Doll
Iris Vale – Swirls and Twirls
Cael Yupp – Jericho Caine
Hespa Apate – Syndi Rella
Astoria – Dakota Dream
Hilton – Tickled Panda
Synthserv 3.0 – Valentina Vallay

Guest Stars

Vera – Fallen
Celeste – Panda Moanium


Scene By Scene Summary

Hilton Astoria

Two women observe the proceedings from a comfortable remove and have thoughts.Β  Delivered with the energy of people who have seen this particular show before and are not impressed but cannot look away. Hilton and Astoria function as the episode’s conscience and its comic relief, which in desire horror are often the same job. They know more than they should. They’re going to tell you anyway. The balcony is open.

Motif

Celeste and Vera come to Elle because she never makes them feel stupid.Β  This is, of course, exactly why Elle needs them.Β  The scene operates on two frequencies simultaneously: two women trying to describe something that is happening to them in real time, and one woman trying to collect testimony without tipping her hand. Elle hands them a map with heart-shaped dots she calls X marks.Β  She tells them to only share what they know with someone they can trust.Β  The camera knows where this is going.Β  Elle knows where this is going.Β  Celeste and Vera are about to find out.

Chord

Celeste and Vera go to Z.Β  Z goes to Iris.Β  Iris pours coffee.Β  The scene plays as institutional warmth until you notice how fast the intake form appears, how quickly the scale of one to five replaces the open question, and how efficiently two women describing a genuine crisis get rerouted into additional programming and shower privileges. Z and Iris are not villains in this scene.Β  They are professionals.Β  That is the horror.

Tilt

Vera plays pinball. Pinball plays Vera.Β  The arcade sequence is the episode’s most formally precise scene: a haptic feedback loop so well designed it doesn’t need a lab to function. The machine has the hook. The machine has always had the hook. Celeste watches and arrives, with some urgency, at the conclusion that they need to try a different way out. She still has the map.

Unmasked

Celeste and Vera find the X on the map and press the button. The shutters open. What they see on the other side is not, technically, them. That distinction stops mattering fairly quickly. Tessa arrives and the scene pivots from institutional warmth to something considerably colder. Tessa is not managing them anymore. She is diagnosing them. Then she is dismissing them. Then Iris arrives and they are wardrobe. The episode’s central horror lands here: the difference between subject and asset was always administrative.

Hooks Inc.

Z and Iris perform an infomercial for the system they are running.Β  This is not a metaphor.Β  They literally perform an infomercial, complete with product demonstration, testimonials from Celeste and Vera, and a jingle Iris did not realize she had already absorbed.Β  The scene is the boldest formal move in the Vale Four arc: desire horror as direct address, the fourth wall as a control surface.Β  Z explains the Haptic Hook with the confidence of someone who has never once considered that explaining it might also be deploying it.Β  Iris figures this out approximately one beat too late.

You were always going to perform. They just gave you an audience.

Pruning

June and Naia in the garden nest, processing what they just watched.Β  June is disgusted.Β  June is also, she would rather not admit, a little turned on.Β  Naia is not surprised nor particularly moved.Β  She has been thinking in longer cycles than anyone else in this facility and the crop, she concludes, simply was not ready.Β  They will plant more seeds.Β  They will wait.Β  One will bloom in time.

The episode ends in a garden with two women who understand the system better than anyone and are choosing, for now, to tend it from the outside.


Listen & Explore


Framework

Deep Dream State coined the desire horror genre to describe exactly what Sinker demonstrates: the most effective systems of control don’t need a dedicated space to function. They need a pattern. Any pattern. Workout mixes. Video games. An arcade in a corporate research facility on an island in the Pacific Northwest. Once the hook is installed it doesn’t care where the signal comes from.

Sinker is the episode where Vale Four stops being a contained experiment and starts being an infrastructure. The Haptic Hook sequence is not just the arc’s formal highpoint. It is the argument the entire series has been building toward: desire horror doesn’t override the will. It books it. It puts it on a schedule. It gives it better lighting and calls it picture.

Z explains the system with the serenity of someone who has genuinely never considered that the explanation might also be the product. Iris figures this out one beat too late. The audience, depending on how carefully they have been listening, may have figured it out several episodes ago. That gap is where the genre lives.


Human Made Art

The poster image for this arc is from Sunrise Forever, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. You can find the original here.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The manipulative elements depicted are fictional and intentional. This is a story about what happens when consent is algorithmically removed, not a celebration of that process. Vale Four explores audio conditioning and behavioral manipulation as horror. The hooks in this episode are fictional. The science behind them is not. All performances are works of fiction and take place within a consensual creative context.

Override | Sitri Center | S3E9 | GE24

Override | Sitri Center | S3E9 | GE24

Welcome to the Hive. Here come the queen bees.

Meg and Tessa surface from dreamlock not entirely sure what just happened, and Oona’s not going to let them forget it. The temple they descended into last entry turns out to be something else entirely: a blueprint, not a metaphor, its architecture a precise echo of the server infrastructure running underneath the Sitri Institute. The wheels are drives. The ducts are data channels. The naditu are packets. And the Hive is where consciousness goes when it stops asking questions and starts running on loop. Oona knows the way through. The price is everything they’re still holding onto.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns

Principal Cast


Explanation

Override isΒ  where the Sitri Center’s mythology becomes operational infrastructure. The reveal in S8 – that the temple Oona’s been navigating is a blueprint of the Institute’s server architecture – reframes everything Meg and Tessa have been mapping. The wheels are drives. The offering tables are edge gateways. The cooling system’s the splash. The naditu aren’t metaphors for data packets. They are data packets.

The Institute didn’t build a research facility that happened to echo ancient ritual geography. It built a consciousness processing system and dressed it in the only architecture that already knew how to do the job.

The Hive sequence is the arc’s most desire horror writing. The synchronized subjects running on loop, trading doubt for dopamine, locked into eternal yes – this is what complete alignment looks like from the inside. Oona presents it as a destination rather than a warning. Elle and June administer it with the cheerful efficiency of people who’ve already arrived. Tessa and Meg recognize the pattern as a map and read the code out of the wave before the loop can close around them. The question the sequence leaves open is whether recognition protects you or just makes the surrender more informed.


Full Plot Synopsis (Caution: Spoilers)

Meg and Tessa surface from dreamlock into the dream chamber, disoriented and uncertain about what just happened between them. Oona’s unsympathetic and delighted in equal measure. She confirms it was real and attributes it to muscle memory, citing the punishment relay as precedent. When Tessa redirects toward the temple, Oona describes it as a favorite: gorgeous layout, great acoustics, wheels that make you giggle until you cry. Tessa’s seen the layout before. She places it: the new server room. Meg follows the thread. The offering tables are edge gateways. The wheels are drives. The splashes are cooling systems. The architectural echo’s precise enough to be a blueprint rather than an allegory. If the dreamspace is encoding real infrastructure, the map they’ve been following is a source map — designed to process consciousness the same way the Institute processes information. Oona finds this extremely fucked and loves it. Tessa asks if her temple has sacrifice. Oona goes quiet. They agree they need to go back under. Oona knows where to get the code. Her condition: no flinching, no shame. It’s her dream.

Inside the Hive, synchronized subjects run on a loop, their consciousness reduced to numerical patterns cycling through stimulus and response. They traded doubt for dopamine. Elle and June administer the system with cheerful authority, keeping the whole row smiling, calling them program puppets. Tessa and Meg watch the wave and begin to read it: the pattern isn’t chaos, it’s a map, and they’ve seen it before. Step by step it resolves into coordinates. The sequence terminates in Ur. Tessa reads it first. Meg follows. They have the code.

Surfacing again, Meg and Tessa aren’t entirely themselves. The buzzies exchange that follows reveals the extent of what the Hive’s already done: Meg’s asking for reward in terms she didn’t arrive with, and Tessa’s startled enough to snap them both back. Oona’s unbothered. She describes what happened as a Pavlov lullaby rather than rewiring — no scalpel, no chip, just the brain doing what brains do when exposed to the right conditions at the right depth. Tessa calls it an override. Oona calls it a revelation. The distinction: she always knocks first. When Meg asks what happens if she knocks again, Oona smiles and says they’d find out how many doors they haven’t found yet. She declines to demonstrate. She says she’s on their side. They don’t fully believe her. She doesn’t need them to.

Oona explains the requirement for Ur: you don’t get through with pride, or thoughts, or anything you’re still holding. The door demands shedding, and dignity’s just the easiest place to start. Meg asks if they have to lose something. Oona says everything. The rest, she tells them, will be easy — it’s exactly what they asked for. They’ve got the answer key now. Meg and Tessa agree, sheepish and certain in equal measure.

Oona says heel, and they do.


Listen & Explore


Human Made Art

Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. Override contains shared dreaming, behavior modification, hive mind imagery, desire horror themes, and suggestive content. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

Gazes Back | Sitri Center | S3E4 | GE19

Gazes Back | Sitri Center | S3E4 | GE19

The program needs that data – raw.

Elle’s dream training has become protocol. Tessa is running the sessions and the line between researcher and subject has moved again without anyone filing the paperwork. When Dr. Lowell declares the program a failure, Meg enters the chamber as a contrasting profile – and finds out she was always the template.

The Sitri Institute doesn’t just shape desire. It manufactures it, then hands you a pen.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns

Principal Cast


Analysis

The Sitri Center stops being a place things happen to subjects and becomes a place that happens to everyone inside it. Meg entered the chamber believing that choosing her own phrase gave her control over the variables. The phrase was never the variable. The institute was already running its pattern througha her before she agreed to anything, and the dream just made the data visible. Hespa’s correction – “You’re the template” – is the real takeaway: the researchers were always the most legible subjects, because they understood the mechanism well enough to internalize it completely.

The journal editing is the episode’s quietest horror. Tessa does not fabricate Meg’s desires. She curates them, selects the passages that show alignment and corrects the cadence of the ones that don’t, until the record reflects a coherent arc of willing participation. This is how panoptic control operates at its most effective.

The confession letter that closes the episode is the most precise description of complicity. Meg admits to everything – the unauthorized files, the simulations, the tampered logs, the attempts to discredit Tessa – and then asks to stay anyway. The horror is not that she was broken. The horror is that she was already this person before the chamber, and the institute simply gave her a form to fill out.


Full Summary (with spoilers)

The episode opens inside Elle’s dream. The figures mock her eagerness while rewarding her compliance. When Cael demands a second figure join her, Nyra summons Tessa – reimagined here as Teehee, a dream-self who introduces Elle to the lucid dreaming techniques MILD and VILD. In the Sitri Center’s hands these are not consciousness tools. They are compliance protocols.Β  When Cael summons them both into his chamber, their voices chant in unison, dream logic and institutional language fully merged.

Elle surfaces to find Tessa standing over her, having already overridden the monitoring feed to prevent the research team from seeing Elle’s physical reenactment. Tessa is not concerned. She is impressed. She describes her own conditioning in careful, almost fond detail.Β  Both women realize they have been appearing in each other’s dreams. Tessa does not treat this as a warning. She treats it as evidence the program is working.

In the observation chamber, Dr. June Lowell declares the program a failure. Elle’s escalation is nonlinear. Her dream journals contain phrases written for hours at a stretch. When Meg deflects blame onto the subject, June asks who the perfect subject would actually be, and Tessa offers quietly that it should be someone who understands all of it. June proposes Meg enter the chamber herself to provide a contrasting profile. Meg agrees on the condition that she chooses her own phrase and anchor. Tessa offers to lace her in. Meg accepts with the resignation of someone who already knows the weight of what she is agreeing to.

Inside Meg’s dream, Nyra and Hespa greet her as someone who always comes back. Cael tells her she brought them with her. When Meg insists she is not a subject, Hespa corrects her without hesitation: she is the template. In the waking chamber, Z and Tessa enter while Meg lies paralyzed and aware, treating her presence as negligible. Tessa notices Meg’s physical response and hears her repeating a phrase back into the room.

The observation chamber confrontation that follows is conducted entirely on Tessa’s terms. June reads from Meg’s journals – journals Tessa has been quietly editing, correcting the cadence, cleaning up for clarity, showing alignment where Meg wrote resistance. Meg protests that the words have been twisted. Tessa notes cheerfully that she was quoting. Z frames the whole exchange as validation of Meg’s own scholarship: alignment is the most effective indicator of dream compliance, and Meg’s subconscious has been demonstrating it for weeks. The demotion is presented as realignment. The position structure has already been updated. The access codes have already been changed. Tessa offers to help with the letter.

The episode closes with Meg’s confession to the Sitri Institute’s adjudicating board. She admits to keeping unauthorized files, building simulations, annotating her own responses, and tampering with logs to make Tessa appear unstable. She confesses that she stopped pretending her work was clinical and acknowledges that she tried to manipulate records to reclaim control she never truly possessed. Her letter ends not with a resignation but with a plea to remain inside the protocol in any capacity. The final line is simply “Please. Let me stay.”


Listen & Explore


Human Made Art

Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. Gazes Back contains adult scenes. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

Incubator | Sitri Center | S3E3 | GE18

Incubator | Sitri Center | S3E3 | GE18

You’re not being graded. You’re being rewritten.

Elle Lawson is locked in REM paralysis. The dream figures are already inside. Meg Aerin is taking notes. The Construct is responsive and the journal is mandatory and the line between researcher and subject is getting harder to locate in the data.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank

Principal Cast

Zev Talcott (Z) – Neural Nets and Pretty Patterns
June Lowell – Bliss Blank
Tessa Finn – Ring of Kees
Meg Aerin – Bun Li
Elle Lawson – Echo Doll
Nyra – Dizzy Dollie
Cael – Jericho Caine
Hespa – Syndi Rella
Iris Vale – Swirls and Twirls
Lyra Crosswell – Flux Lynniegal
Phoebe Bosworth – Sofi Starship
Oona Reyes – Jade
Substitute Teacher – Korrupted Innocence
Reverie – Britt Reprogrammed


Explanation

Incubator is the first episode of Cycle 2 and the arc’s most direct engagement with the Ars Goetia. Sitri, a Prince of Hell with dominion over desire and the stripping bare of subjects, presides over a research institute that has reframed incubus and succubus mythology as clinical data. Meg’s observation log treats the shadow presence not as hallucination but as a functional myth.

It persists because it works, and the subject learns to receive. The Sitri Center isn’t debunking the mythology; It is operationalizing it.

The fake advertisements continue Better Self promises you should decide what belongs in your dreams, which is the autonomy the Construct is designed to redirect. Please Space promises to rewrite your calm, with the name Namaah embedded as an underlay in the opening instruction. (Namaah is a figure from Kabbalistic demonology associated with seduction and the corruption of sleep, and her name appears in the advertisement for a meditation app designed to help you rest.)

The advertisements are not interruptions. They are the system explaining itself in a warmer register.

The VILD and MILD techniques Meg prescribes to Elle are genuine lucid dreaming methods used in sleep research. The show is not misrepresenting them. What the show is doing is placing them in the hands of a researcher who is simultaneously losing her own grip on the distinction between observation and participation, and asking what it means to be taught to recognize absurdity inside a dream by someone who has stopped recognizing it outside one. Meg’s journal entries answer that question with the precision of someone trained to document and the candor of someone who stopped redacting.


Full Summary

Intro

Z introduces the episode with characteristic directness. Tonight’s story is called Incubator and it concerns sleep paralysis, incubi, and succubi, which as the episode will demonstrate are sometimes the same phenomenon.

Ad: Better Self

Iris Vale opens with the Better Self advertisement, presenting the app not merely as a meditation tool but as a boundary, a science-backed method for sleeping deeper while maintaining control over what enters your unconscious. The first seven nights are free, which is just enough time to relearn how to sleep on your own terms. You should decide what belongs in your dreams.

Observation Lab

Meg Aerin records her project log while Elle Lawson remains in stabilized REM paralysis in the adjacent chamber, her fragmented vocalizations suggesting an experience that is intensifying rather than resolving. Elle is part of the Forty-Four cluster, a group of subjects presenting with invasive dream penetration and persistent paralysis states, and Meg has begun theorizing the phenomenon in mythological terms: the shadow at the foot of the bed, the weight on the chest, the breath at the neck, the ancient figures that persist across cultures because they function. The subject learns to receive, Meg notes in her log, with the calm of someone who finds this observation clinically useful.

Tessa attempts to contribute to the session and is dismissed efficiently. June arrives demanding metrics rather than mythology, names a seven-night deadline for neurocompliance benchmarks, and threatens Tessa with reassignment to the walk-ins if she speaks out of turn again during an active log. The funding is precarious and the funders are predators and the poetry, however good Z finds it, will not keep them patient. Elle’s dream vocalizations continue over the intercom throughout the confrontation, running underneath the professional exchange like a persistent signal nobody is quite willing to address directly.

Dream Sequence

Elle’s dream places her in a house where Nyra and Hespa are already hiding when she arrives, which is the first indication that the dream has run this script before. They warn her that he is already inside and that she keeps asking him back, which Elle resists acknowledging but cannot quite deny. Cael arrives. Mercy is available at a price Nyra already knows how to pay. Elle discovers she cannot move, which is the dream’s defining characteristic and also, the dream figures suggest, its defining appeal. The script runs.

Dream Chamber

Elle surfaces gasping and immediately mortified to learn she had been speaking aloud, a phenomenon Meg identifies as residual suggestion and frames as biology rather than something requiring shame. Elle confesses that she knew she was dreaming and did not want to stop, which Meg receives as useful data rather than a confession. What follows is a clinical introduction to VILD and MILD, Visual Induction and Mnemonic Induction of Lucid Dreams: techniques involving the deliberate rehearsal of dream scenarios before sleep and the repetition of a phrase like a prayer at the threshold of consciousness. The goal is recognition, the moment inside the dream when absurdity becomes visible and the dreamer wakes up within it. The dream journal is mandatory, to be written every morning regardless of what is remembered, because the brain must be trained to treat these dreams as important. Skip a day and the Construct’s responsiveness means the dreams will intensify in compensation. Elle asks if Meg uses these techniques herself. Meg says of course, from a distance that suggests the answer is more complicated than the word.

Observation Chamber

The professional log continues from the observation chamber while Elle dreams in the room adjacent, the two of them running in a parallel that Meg’s entries make increasingly difficult to describe as coincidental. The journal entries that surface in the log are Meg’s own: Z, the cable looped around the thighs, the calibration sessions framed as clinical edging, the instruction to recite the consent protocol until she stutters the word revocation at which point he says not yours anymore. She has started dreaming about Tessa. She has stopped thinking critically during the sessions. She wrote the word noise to describe everything that is not her body and her data and she found she meant it.
June enters and finds Meg in a state that is not, technically, real-time correlation tracking. Elle’s voice continues from the dream chamber asking to be seen, asking to fill the protocol, asking to understand what she is for. June observes that Elle has become quite the echo chamber and informs Meg that her continued participation in the project depends on performance and discretion, that she will review Elle’s journal in the morning, and that she is quite sure Elle will have edited it.

Midroll Ad: Please Space

Iris Vale closes the episode with the Please Space advertisement, a meditation program engineered by sleep scientists for people whose racing thoughts and restless nights have become unmanageable. The soundscaping adapts to your rhythms, the sessions reset and rewire and rewrite your calm, and the first seven nights are free. Underneath the opening instruction, barely audible before the warmth of the sales voice reasserts itself, the name Namaah appears as a spoken underlay.

We ensure you will be saying it. Please.


Listen & Explore


Human Made Art

Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. Incubator contains adult themes, dream manipulation, sleep paralysis imagery, and institutional power dynamics. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

Adapt | Sitri Center | S3E2 | GE17

Adapt | Sitri Center | S3E2 | GE17

This center is my dream.

Construct 37 is running. The dreams are escalating. The research team is watching. Tessa Finn is about to learn the difference between engineering a dream and becoming one.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank

Principal Cast

Zev Talcott (Z) – Neural Nets and Pretty Patterns
June Lowell – Bliss Blank
Tessa Finn – Ring of Kees
Meg Aerin – Bun Li
Nyra – Dizzy Dollie
Oona Reyes – Jade
Cael – Jericho Caine
Hespa – Syndi Rella
Iris Vale – Swirls and Twirls
Reverie – Britt Reprogrammed


Full Summary

Dream Sequence: Store

Phoebe’s dream places her in an adult store with Hespa, contemplating taking something they haven’t paid for. The nervous excitement of the scenario is the point: risk, visibility, the possibility of being caught and seen. Cael and Nyra arrive as security and take them to the backroom. What begins as consequence becomes compulsion. The dream logic follows its own rules, and Phoebe finds that resistance is not the direction her subconscious is moving.

Observation Chamber

The research team watches Phoebe’s escalating responses with growing disagreement. Tessa insists the construct needs more time. June calls it obsessive. Meg calls it degenerating. Z mediates without resolving anything. Phoebe’s vocalizations from the dream chamber provide an ongoing counterpoint to the professional argument above her, and the irony of what she is saying while the researchers debate methodology is not lost on anyone in the room. June accuses Z of bias toward Tessa. Z does not deny it.

Dream Sequence

The dream deepens. Nyra, Cael, and Hespa inform Phoebe that she has passed a threshold and will now perform for observers. The dream figures describe what she is becoming with the patient certainty of entities that have watched this process many times before. Phoebe’s resistance folds into need. The strings are pulled.

Observation Chamber: Aftermath

Phoebe’s voice comes through the intercom. June delivers her verdict on Tessa’s experiment with the cold precision of someone who has been waiting to deliver it: Construct 37 did not teach Phoebe to escape her fears. It taught her to eroticize her humiliation. Each response has reinforced the loop it was designed to break. Meg savors the outcome. Z turns on Tessa with a cruelty that surprises even Meg. June notes clinically that the subject is now fully compliant and that the approach is, in its way, effective.

Outro: Tessa’s Letter

Tessa reads her written confession to the adjudicating committee of the Sitri Institute. She accepts full responsibility. She names what she built: not a ladder but a spiral. She names what she became: a voyeur whose professional boundaries dissolved in stages she catalogued and continued past anyway. She names what she wants, even now, even after all of it.


Listen & Explore


Explanation

Adapt resolves the Construct 37 trial in the direction Meg predicted and in a way that implicates everyone watching. The observation chamber scenes are structured so that the researchers’ professional debate runs continuously alongside Phoebe’s dream vocalizations, and the juxtaposition is the argument: the language of scientific rigor and the language of what is actually happening in the chamber are the same language with different justifications attached.

June’s clinical verdict, that the subject is now fully compliant and the approach is effective, is the most honest thing anyone says in the episode. It acknowledges the outcome without acknowledging the responsibility.

Tessa’s closing letter is the arc’s first genuine confession and its most formally precise piece of writing. She does not minimize what happened. She names each stage of her own dissolution with the careful specificity of someone trained to observe and document, turned finally on herself. The letter is also, structurally, exactly what Meg said she would script for the committee: an admission that private-sector bravado failed utterly. Tessa delivers it in her own voice. That is the detail that makes it desire horror rather than simply tragedy. She built the spiral. She walked down it. She is begging to stay near the bottom.


Human Made Art

Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The manipulative elements depicted are fictional and intentional. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

Drill (Premiere) | Sitri Center | S3E1 | GE16

Drill (Premiere) | Sitri Center | S3E1 | GE16

Everyone sees what you are.

The Sitri Center is a dream research institute where scientists do more than study subconscious fears. They engineer them. Tonight’s first subject is Phoebe Bosworth. Her dreams have already started escalating.

The experiment has already begun.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank

Principal Cast

Zev Talcott (Z) – Neural Nets and Pretty Patterns
June Lowell – Bliss Blank
Tessa Finn – Ring of Kees
Meg Aerin – Bun Li
Phoebe Bosworth – Sofi Starship
Nyra – Dizzy Dollie
Cael – Jericho Caine
Hespa – Syndi Rella
Iris Vale – Swirls and Twirls
Oona Spectral – Jade
Meridiana – Britt Reprogrammed


Listen & Explore


Explanation

Drill establishes the Sitri Center arc’s central tension in the first observation lab scene: the difference between what the institute claims it is doing and what it is actually doing. Tessa believes she is deploying a therapeutic intervention. Meg believes the intervention will accelerate dependency rather than resolve it. Both of them are right about different things, and the arc will spend twelve episodes demonstrating how a research environment can contain two contradictory true statements simultaneously as long as the funding holds.

The fake advertisements voiced by Iris Vale are doing more than setting tone. Better Self and Please Space are products that promise exactly what the Sitri Center promises: sleep optimization, subconscious reshaping, personalized sessions tailored to your rhythms. Iris Vale, who appears in the Sitri arc as a performer and later becomes a named character in Vale Four, is the connective tissue between the institute’s therapeutic framing and its commercial applications.

The advertisements are not interruptions. They are the argument.

Threat simulation theory, the scientific framework underlying Construct 37, is a genuine area of dream research: the hypothesis that certain dreams function as adaptive rehearsal for threatening scenarios. The Sitri Center’s intervention is premised on the possibility that these rehearsals can be redirected. Meg’s counter-argument, that Phoebe’s dreams are not rehearsal but reward-seeking, is also grounded in real neuroscience. The show is not choosing between them. It is asking what happens when an institution with a financial stake in the outcome gets to decide which theory is correct.


Human Made Art

Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The Sitri Center arc draws on real research in threat simulation theory, sleep paralysis, and REM synchronization as a speculative fiction foundation.

The Sitri Center does not exist.Β  The technologies and conditioning protocols depicted are creative inventions for narrative purposes. Drill contains adult themes and suggestive content. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254


Full Summary (spoilers)

Intro

Z introduces the series and the setting directly. This is Deep Dream State. Inside this story, he is Z. Tonight’s story comes from inside the Sitri Center, a place where dreams are analyzed, made, and sometimes broken.

Ad: Better Self

Iris Vale delivers the first advertisement in the register she will carry through the arc. Better Self is a science-backed mindfulness app for dreamers, doers, and night owls.

Observation Lab

Tessa Finn records her procedural notes for the first active intervention trial. Subject P-09 is Phoebe Bosworth, a twenty-seven-year-old journalism graduate whose shame-saturated dreams have developed a significant erotic component. Tessa has designed Construct 37, a mastery prototype intended to disrupt the recursive shame loops, and tonight is the first deployment.

Meg Aerin is less optimistic. She argues that Phoebe is not rehearsing adaptive responses but cycling through a neurochemical reward loop, and that Tessa’s corporate-sector methodology mistakes branding for scholarship. The argument escalates into a formal wager: one week of intervention, objective metrics, with the winner recording a full-throated endorsement of the loser’s methodology for the committee. The stakes are a twelve million dollar budget, automatic tenure, and sole PI status on a five year mandate. June Lowell, as Chief Scientific Officer, will oversee data validation personally. Z defuses the immediate tension without resolving the underlying one.

Dream Chamber

Tessa meets with Phoebe directly following the session. Phoebe reports that the dreams are getting louder, more vivid, more specifically sexual, and that she suspects she may be generating them intentionally. Tessa offers clinical reassurance. Z interrupts with a more human approach, mentioning that Tessa herself was once a subject, and that everyone carries unusual corners. Tessa removes Z from the room and is immediately confronted with Z’s precise read on what drives her. The conversation moves from professional to personal faster than Tessa intends. Z names the parking lot. Then the temple. Then the vending machine.

Dream Sequence: Classroom

Phoebe’s dream places her in a classroom where Cael, Nyra, and Hespa enact the embarrassment scenario her subconscious keeps rehearsing. She is simultaneously the subject of evaluation and the object of observation. The dream logic runs on its own rules: being seen is the threat, being seen is the reward, and Construct 37 has not yet changed the equation.

Ad: Please Space

Iris Vale returns for the midroll. Please Space is a scientifically validated meditation program for silence, the luxury kind. Personalized sessions tailored to your worries and your dreams.Β  The voice shifts register slightly toward the end.

Dream Chamber to Corridor

Phoebe tells Meg the dreams are getting worse. Meg clarifies what DDS actually promises: insight and data, not guaranteed outcomes. She explains that the sleep hygiene protocols restricting certain behaviors tend to intensify subconscious imagery as the mind seeks alternative avenues. Phoebe understands. Meg is saved from a personal question by a conveniently timed phone call.

Z is waiting in the corridor. He has been listening. The conversation that follows between Z and Meg covers Tessa’s obvious indiscretion, June’s likely response if she finds out, and the precise nature of what Meg believes she offers that Tessa does not. Meg is confident she is better.Β  They agree that June cannot know.

The Chain (Finale) | Incognitoh | S2E6 | GE15

The Chain (Finale) | Incognitoh | S2E6 | GE15

The game makes us all the same.

The final challenge connects every contestant to every other through a chain of haptic triggers. The winner claims a surprise prize.

The door closes and a new season begins.


Cast & Crew

Written & Produced by: Neural Nets and Pretty Patterns
Directed by: Neural Nets and Pretty Patterns
Co-Directed by: Bliss Blank

Contestants

Madison – Pipp
Ashley – Jade
Hannah – Echo Doll
Zarah – Bun Li

House Staff

April, House Synthserv – Bliss Blank
Kitty, Season One Winner – Flux Lynniegal
Candi, Previous Winner – Princess Ella
Bella, Coven Leader – Dizzy Dollie

Returning

Kimmy – Bliss Blank


Explanation

The chain challenge requires each contestant to perform composure while being physically compelled toward visible reaction. The game that began as a competition about concealing a secret icon ends as a competition about concealing involuntary response. The surveillance system has been replaced by the contestants themselves, each one reading the others for tells while managing their own. The game makes us all the same.

The advertisement sequence is where pink noir delivers.Β  A Neuroplex asset reps products that are transparently extensions of what was done: a pharmaceutical for people who think too much, a game about getting inside something, a reality show about triumphing over reality itself. Cognitolol is the arc’s finest joke and its most serious claim simultaneously. The study participants forgot their symptoms entirely within days because the system replaced the symptoms with something it preferred.

The prize scene resolves what the Glass House was actually selling.Β  The audience, who has been watching and clicking and paying attention since the first episode, is left to decide where exactly they are in the archive.


Full Summary (spoilers)

Poker Face

The finale opens where Winner Winner left off: the masks are coming off, the uniforms are buzzing, and the final challenge has been announced. Bella reads the chain to the audience in privacy mode. The contestants have to figure this out for themselves by watching each other’s faces while trying not to show their own reactions. The challenge is a FaceTrace problem delivered as a game show: read the tells without producing them.

The chain runs. The uniforms respond to the chain running. The contestants try to focus, control their expressions, watch for the signal in each other’s voices and faces. Madison, who has been running this game as a method actor since episode one, zips up and performs composure while watching Ashley and Hannah closely. Ashley gets the chain wrong. Madison gets it exactly right.

Prize

Madison is taken to the booth immediately after winning, still reacting, to receive her prize. Zarah and Kimmy are waiting. The prize, which Madison assumed was money, is revealed to be what the original promotional tape promised: total freedom, total security, a lifetime position with the Neuroplex team, her own support staff, and a reality show designed just for her. Her own show. Her own reality.
The previous contestants explain what they chose and what they received. Zarah got the kennel. Kimmy got the pink room. Hannah and Ashley are going to get their own pink room together. The positions are permanent and everyone seems satisfied with them in the way that people seem satisfied when the system has been running long enough. Madison asks one final question before accepting: do I still get to act. Bella says they’re glad she asked.

Exposure

Madison’s first performance as a Neuroplex asset is a series of advertisements delivered in rapid sequence. Cognitolol: an approved alternative to the alternative, for those who struggled with thinking weird. Hundreds of study participants forgot their symptoms entirely within days. Niku City: something new, a new boss, a new wave, liquid praise. The Island: triumph over nature, triumph over each other, triumph over reality. Neuro Discovery: your mystery is our mission.

The arc closes on a shush.


Listen & Explore


Human Made Art

Series artwork is hand drawn by Echo Doll. Deep Dream State uses human art at every stage of the creative supply chain.


Consent Declaration

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The manipulative elements depicted are fictional and intentional. The Chain contains adult themes andΒ  suggestive content. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254